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John Thornton Caldwell's landmark Specworld demonstrates how twenty-first-century media industries monetize and industrialize creative labor at all levels of production. Through illuminating case studies and rich ethnography of colliding social-media and filmmaking practices, Caldwell takes readers into the world of production workshopping and trade mentoring to show media production as an untidy social construct rather than a unified, stable practice. This messy complex system, he argues, is full of discrete yet interconnected parts that include legacy production companies, marketers and influencers, aspirant online producers, data miners, financiers, talent agencies, and more. Caldwell peels away the layers of these embedded production systems to examine the folds, fault lines, and fractures that underlie a risky, high-pressure, and often exploitative industry. With insights on the ethical and human predicament faced by industry hopefuls and crossover creators seeking professional careers, Caldwell offers new interpretive frames and research methods that allow readers to better see the hidden and multifaceted financial logics and forms of labor embedded in contemporary media production industries.

Industrie du cinéma

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Claude Forest propose un panorama complet du cinéma en France. Il fournit des données complètes et actualisées sur son histoire, les caractéristiques du public, les métiers des différentes branches du secteur, les évolutions économiques et la réglementation en France. En fin d’ouvrage, une comparaison des situations internationales souligne l’hégémonie du cinéma des États-Unis et, à l’inverse, sa quasi-disparition dans nombre de pays non industrialisés

Industrie du cinéma

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La riche production cinématographique nigériane, plus connue sous le nom de Nollywood, est devenue, depuis sa naissance, la vitrine de la fédération. Cet ouvrage destiné aussi bien au public universitaire qu'aux amoureux des cinémas du sud présente et analyse plus de trois cents films produits entre 1991 et 2021. Il introduit le lecteur à une production profondément enracinée dans les cultures du Nigeria et marquée par l'ouverture grandissante du pays à l'influence de la globalisation. Ces films circulent aujourd'hui dans toute l'Afrique et au-delà, dans la vaste diaspora africaine présente sur tous les continents, inspirant un nouveau type de cinéma.

Industrie du cinéma

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Cinéphiles --- Industrie du cinéma

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Exploring the multiple aesthetic and cultural links between French and Japanese cinema, The Cinematic Influence is packed with vivid examples and case studies of films by Akira Kurosawa, Jean-Luc Godard, Hirokazu Kore-eda, Claire Denis, Naomi Kawase, Michel Gondry and many others. It illustrates the vast array of cinematic connections that mark a long history of mutual influence and reverence between filmmakers in France and Japan. The book provides new insights into the ways that national cinemas resist Hollywood to maintain and strengthen their own cultural practices and how these national cinemas perform the task of informing and enlightening other cultures about what it means to be French or Japanese. This book also deepens our understandings of film's role as a viable cultural and economic player in individual nations. Importantly, the reader will see that film operates as a form of cultural exchange between France and Japan, and more broadly, Europe and Asia. This is the first major book to investigate the crossover between these two diverse national cinemas by tracking their history of shared narrative and stylistic techniques.

Cinéma --- Industrie du cinéma --- Esthétique